Even though there is an intense argument, after she tells her mother never to talk to her again, she has a nervous breakdown (Garbus, 2003). As the documentary end, it is clear that Megan is afraid to trust others. Head of production Julie Gaither. Photography Tony Hardmon. The hard cases penned up here are girls whose youth, bright smiles and flashes of irritation at being kept under lock and key belie their grim, violent histories. She stays briefly at another foster home before running away to live with friends and eventually by herself in the treacherous East Baltimore neighborhood where she got into trouble. This trend of progression is surging ahead at a rapid pace; however, it is very unfortunate to declare that many of the social dilemmas also exist in this industrialized world that is making millions of residents suffer from its drastic outcomes. The lack of a proper support system is evident because she does not achieve as much as Shanae who does not falter when her mother dies. . Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center.Documentary chronicling America's justice system. Anyone can read what you share. In this article, I honor the significance of girl culture by accounting for The Craft's appeal to girl audiences. Genre:. There are a couple of different things I would attempt to implement if I were the director of the Waxter Juvenile Facility to make the program more efficacious for juveniles sent there for reform. Both Megan and Shenae's interactions with their 2 The length of her stay at Waxter will depend on whether she can acknowledge what she did and show appropriate remorse. They both received open-ended sentences and their release depends on their current jail behavior. Im excited and honored that Atlantic Screen Productions embraced this extraordinary true tale and understands the urgency of making this film now. We were introduced to Shanae, a young girl, convicted of murder. Her mother was largely able to chart Shanae's problem for the duration of the movie, because she cared about her and wanted to see her do better. Just last week Waxter made headline news in Maryland after having been labeled by one childrens rights advocate as a house of horrors. At Waxter, girls like Shanae who have been sentenced for crimes, girls who would make mincemeat of the fillies in Thirteen, are placed alongside those who, as one news story put it, have not been found guilty of anything yet. Except, perhaps, being born poor and grievously disadvantaged. The interview in this work in combination with, Most boys stay fourteen days or less. Shanae was raped by five teenagers when she was eleven and then was arrested and convicted for stabbing a friend to death with a knife when she was twelve. However, Garbus suggests that this is due to the lack of adequate recreational activities in Waxter (Garbus, 2003). Revise AS Level Psychology. Therefore, any solution to the problem of juvenile detention will be proportionately beneficial to, new juvenile detention center, if given unlimited financial resources. "Girlhood Juvenile Delinquents Shanae Megan Waxter Juvenile" (2013, November 14) Retrieved April 18, 2023, from https://www.paperdue.com/essay/girlhood-juvenile-delinquents-shanae-megan-127185, "Girlhood Juvenile Delinquents Shanae Megan Waxter Juvenile" 14 November 2013. "I just lost all respect for myself," she says. Part of HuffPost News. In the film Girlhood by Liz Garbus we are introduced to two young girl's named Megan and Shanae, who committed a crime and are getting help through a facility that helps young girls reflect on their actions. Girl Hood is a documentary film directed and produced by Liz Garbus that follows two teenage girls, Shanae and Megan, over the span of three years, from the time they are in the all-girls juvenile detention center at Thomas J.S Waxter Childrens Center in Laurel, Maryland, to when they are out in the real world. Newsletters are sent on Fridays at noon EST. The documentary follows the plight of Megan and Shanae (Garbus, 2003). Baltimore teens Shanae, left, and Megan are the subjects of Liz Garbus's documentary "Girlhood," now at the AFI Silver Theatre in Silver Spring."Girlhood," a documentary by Liz Garbus, right . Second, she is unable to regulate her emotions (Garbus, 2003). Cannily positioned in the U.S. as the distaff answer to Richard Linklater's Boyhood, Cline Sciamma's third feature (following Water Lilies and Tomboy) Girlhood doesn't follow its protagonist over the course of 12 years, or even over more than a year or so. Megan also leaves Waxter. Directed by Liz Garbus; director of photography, Tony Hardmon; edited by Mary Manhardt; music by Theodore Shapiro; produced by Ms. Garbus and Rory Kennedy; released by Wellspring. associated with girlhood. Both Megan and Shanae share similar viewpoints for example, they mention that their role model is . An alternate perspective of Girl Hood is that it is a film that tries too hard to achieve an ending on a positive note. In the lower security facility interview, Shanae reveals that five men gang-raped her when she was young. The films protagonists, Megan Jensen and Shanae Watkins. Megan, the more unruly of the two is a little older than Shanae.